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How did Tammy, Loretta, Dolly and Emmylou ever
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Have times (and the values of country listeners) changed that much?
Radio Programming Ideas For Personalities and Programmers, Especially Country Radio Broadcasters.
"At WBEB, we tested 100 national radio commercials. 25% were effective and engaging. 25% could have been with just a few simple creative copy changes and the other 50% were completely ineffective." -- Jerry Lee
"You can turn your head. You can close your eyes. But, you can't close your ears." -- Erwin Ephron
"So we had two people come in and sample ice from the tap, garden hose ice and "premium" ice (click to watch the video). They actually said the premium ice was the best - BUT they got the garden hose and the tap water ice confused. They thought one tasted like the other!"
David Landau: The ability to place your message in front of such large audiences and at the same time leverage local relationships and communities is unparalleled. It is this connection that will help drive new media opportunities and traffic to new media outlets.
Gary Stone: This combination of reach and engagement makes radio a very effective medium for advertisers.
Bob Neil: Our audience is growing, we’re a highly targetable medium, and we deliver results for advertisers that understand how to use us. Our digital assets are enormous. When you include streaming, podcasting, and other interactive tools, we bring those same sets of assets over from the over-the-air broadcast to the Internet. Our audiences are engaged with our brands, and that’s the perfect atmosphere for an advertiser.
George Beasley: The fact that nearly all broadcasters, Beasley included, now have members of management solely devoted to developing and deriving new revenue streams from new media channels, speaks to radio's commitment to the world of new media.
Mark Masters: Dollar for dollar, radio still brings the best bang for the buck, but people don't realize this on the level they should. If the creative is spot-on and radio reps help their clients focus on use of easy-to-remember website names or phone numbers, ROI is amazingly strong. But this requires radio sales folks to think entrepreneurially, to care about their clients' ROI -- and when this happens, you get renewals. Renewals mean sustainability.
REGARDING URBAN'S PERFORMANCE...Parr noted, "I didn't think it was possible for Keith to go to another level...and I'm not sure if it was the stage (expanded and more up close and personal to the fans), the production, or just the fact that Keith is even more comfortable with who he is and what he does, it was unbelievable," concludes Parr.
My morning show partner and I created a bit called “Let’s see who can get on national television first!”
Power Ratios act as a benchmark so you can compare your performance to others’ radio stations in your format. They facilitate the determination of revenue expectations based on audience share. For example, a Power Ratio of 1.2 signifies that the format receives 20% more revenue than your audience share would suggest. A 10.0 share on a station with a 1.2 power ration means that station should garner 12% of the advertising revenue in their market.
"Linthead Stomp" takes its title from a 1946 bluegrass instrumental on the Essex label, recorded by the obscure mandolin virtuoso Phebel Wright. “Linthead”—along with “factory trash,” “cotton mill trash,” and the more obscure “ignorant factory set”—has long been used as a derogatory term for textile workers. I have borrowed Wright’s colorful title to serve as the title for this study because it evokes the sense of condescension and disdain with which hillbilly music was once regarded (both in mainstream America and in academe) and at the same time captures the textile mill origins and cultural dynamism of this music.
“This is a new way of programming radio and growing your brand-community. Imagine being able to improve your product while decreasing the cost of programming.”
“The software we’ve developed will allow the listener to truly take control of their radio. So many of us in broadcasting have been concerned about the competition we face from the Internet, Satellite and social networking. LDR diminishes those concerns and takes what’s best about the Internet and puts it on the air on your radio station.”
“It’s time that radio operators get over their inferiority complex and embrace new technologies. The times have changed, and God willing, they’ll keep changing. Listener Driven Radio is the first application that marries the consumer’s wants with the PD’s desires … and that equals great and entertaining programming that’s good for any daypart.”
Mr. Nichols, thank-YOU. Thank you for bringing that happiness and excitement to my son and the rest of the troops. I know my son and the others truly appreciated you being there! As a mother, I appreciate that you were there for them too! You are one of the “real things” that you sing about!
As for the lyrics in your songs, “thank God for believers” and “if nobody believed in you,” I apply them to you in this situation, for being there for THEM and for believing in them. Thanks for not “turning away.” We certainly do not want them to “give up” or be discouraged by those that undermine them. “God only knows where we would be without believers.”
My heart and soul are forever grateful to you for sharing your love, time and incredible talent with our precious military. You are a good soul!
May happiness be with you each and every day!
May God continue to bless you Joe Nichols and your good works!
Thank you again,So, rather than "call in and win to the 10th caller," the station did a produced piece before a song that said: "Win (prize) right now. Be the 10th caller at (phone number) and tab this tune."