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The “Repetition” trend over the last three years: 55%, 57% and now 53%.
Meanwhile, “Too Much New” complaints have been increasing from 20% in 2009 to 21% last year and 22% in this year's national online survey among A&O client country stations.
Radio Programming Ideas For Personalities and Programmers, Especially Country Radio Broadcasters.
"I'm a big believer of stations sounding real....no, best, most, baddest w/ blips, bips, zips, growls, and zaps.....that is soooo over......just communicate the core values (listener benefits) in as real and as brief a fashion as humanly possible....people are so burned on hype.....if at all possible let others speak about you, instead of speaking about yourself...attached is an example from actor Shia LeBouf.....all we do is identify him at the beginning, and that's it.....the rest of the "co-signing" is all on him....if we added anything else here it would have been piling on and way too much.....make your station sound real, listener focused, and genuinely fun, not goofy, not dated with lasers, and no chest thumping copy......is it any wonder we are a TSL challenged medium, a majority of stations continue to insult the intelligence of their listeners by still insisting they sound like 1986.....younger demos coming up today, just don't give a shit.....so please don't drive them away from our medium.....you are are free to disagree here....I will just close with this.... I travel a lot, and hear a lot of stations driving listeners away...if you are in a PPM market you know how important brevity, sincerity, and creativity are.....yup even more important than they were in the diary system.... " -- Jimmy Steal, VP/Emmis/Los Angeles
"The secret of all great radio is great story telling. Great radio is made when intimacy and emotion are used to connect the audience to what is coming out of the speakers."
It is imperative to understand the target listener’s world of experience.
Successful stations give listeners a sense of belonging by validating their values and lifestyle.It is impossible for us to “out-technology” new technology.
Creative distribution can’t hurt us, but the bottom-line for continual growth is cultivating relationships through your programming.
How can you make a one-on-one connection with your listener in a way that they believe you’re talking to them on a personal level every time they listen?
It’s not only about what your radio station does. It’s about what your radio station means.
"Radio Is Life! It’s a culmination of the things going on around us, how we feel and are reflected in the things we do, what we say and the songs we play. Let’s make sure your station and branding is on track. Then we can get those creative juices flowing and build some fun promotions to make people talk about your station and don’t forget to have some fun!"
"How can we feed our need to hear the music we know is out there without the taste makers and risk takers who no longer tread the halls of radio and record companies, or labels who have the patience it takes to build a career instead of manufacturing celebrities and ‘hit’, radio friendly singles. We, those of us who love music, are potentially the largest A&R department that has ever existed. How do we disseminate our information? How do we take our favourite new music and artists from obscurity to prominence? How do we help turn local promise into a chance for international success? Well, we need radio’s help."
His vision for completely remaking the music business model would have to happen before his scenario for remaking the interactive radio model - while leaving analog radio as it is - that it's unlikely to occur until labels and copyright owners hurt a lot more than they are even now.
"With these options in place a database would be created of all the music available on the internet and who owns it. Unless YOU owned the original content you wished to upload to the internet, you would not be able to upload content for others to take. You would be blocked by your ISP because you didn’t create or own the original property, easily determined by the database that would come from the labels uploading their content. Without the ability to upload music you didn’t create or own the copyright to, there couldn’t be any more illegal downloads."
"As far as radio goes, not much can be done unless they re-embrace music and relaxtheir formats and listen to the people that no longer listen to them instead of the people who do. Until the corporations start selling off some of their ill performing properties and independents again acquire a foothold on the airwaves, or they are forced by decree from the FCC and the CRTC to take one station in their cluster in each market and use it to train new talent, present new music, and focus on the local community, radio’s best bet is to utilize the internet like they have never used it before."
"BlackBerry Radio is not a traditional radio app, but instead works with multiple radio apps to make the process of finding and listening to radio on a BlackBerry® smartphone quicker, easier and more integrated by presenting a sampling of services from some of our most popular partners."
"Often we get so hung up on the big idea that we don’t recognize the small but meaningful moments that can endear personalities to fans. We spend hours seeking the next big thing and often never find it. What could you do instead?
Return every phone call and email.
Send a handwritten card to five people.
Produce new content to your blog.
Record a podcast on a specific topic you are passionate..."
It has a stratospheric valuation, an Oscar-nominated movie about it, 600 million fans, and its CEO just appeared on Saturday Night Live. So where's Facebook going to go from here? Down.