Showing posts with label John Paul. Show all posts
Showing posts with label John Paul. Show all posts

Sunday, February 09, 2014

It Was Just One Number

I know that it takes three measurements in a row to create a trend and one stat can easily be a wobble, but when you're looking at an average of every single country station rated nationally by Nielsen slipping even just .2 after several years of growth can be worrisome, as I blogged last year when the country format "Radio Today" was released.
  • Was country over-reacting to the exciting growth of the last few years in teens and 18-34, perhaps turning off Gen X?
  • If so, would the format that has resisted fragentation for decades by targeting broadly across all narrow demos within 18-49 and especially 25-54 begin to split?
Selling country is tough enough without having to explain why your station wins in the 12-34 age groups while the other guys dominate 35-54.

Perhaps it was my writing last year.  Or, maybe it was just savvy programmers who saw the same thing I did in their local numbers and adjusted.  Or, maybe the new music coming out from artists, writers and producers in the past year was more mass appeal.

Whatever it was, Nielsen had some good news for us last week in what is now called "Audio Today 2014" (each report uses data from the year prior, so Fall 2008 became Radio Today 2009, Fall 2009 became 2010, etc):

Country's 25-34 Share Trend 
Fall 2008:  11.4 *note that this was Country only, we did not start combining Country + New Country until the next edition of Radio Today
Fall 2009:  12.3
Fall 2010:  12.2
Fall 2011:  12.8
Spring 2012:  12.6
Spring 2013: 13.1


After four years of upticks in the center of 25-54, that slip last year had me concerned and now the new stat's move forward is a big relief to see.

It's called "Gen X" because it's a smaller proportion of the population, of course, so the fact that it's contribution to country's cume is lowest of all adult generations is to be expected.

Time spent listening losses drove last year's dip and it's exciting to see it returned to consistent this year with the demo cells on both sides of it, helping support the rebound.

Of course, the latest uptick is just one number too and can't be called a trend yet either, so you'll want to keep a close eye on all narrow cells in our target in local research.

Thanks to this good news from Nielsen (country ranks #2 in teens, #1 18-24, 25-34, 35-44, 45-54 and #2 55-64 - exactly the demo balance our sellers expect from us) we all have earned the right to gloat a bit right now.

Thursday, December 05, 2013

Improving Your Country Station's TSL: Are You Targeting A Bit Too Young?

Exactly one year ago, Scarborough research highlighted the fact that what the company calls "heavy" users of radio are significantly more likely to use the Internet as a source for entertainment than Americans who listen to less radio.

90% of Heavy Radio Listeners in Scarborough's research are between 18 and 64 but there are noteworthy generational differences.

Some formats, of course, have no choice in which generational cohort to target, but since country music preferences don't seem to fragment until our listeners get over 55 (see my post on this) and it's possible to target all three demos between 25 and 54, here's another reason to really understand 35-44 and not get drawn too quickly toward under 30!

Thursday, November 07, 2013

Will The Country Format Ever Fragment?

It was exactly 25 years ago at the Country Radio Seminar when researcher/guru John Parikhal predicted that the country format was about to fragment into two equal branches, mainstream and classic.  Instead, about a year later, a guy named Garth and seven or eight other exciting new artists emerged as "the class of '89," painting over the cracks that had started to show.

If you read my last four posts which show that by playing the right songs and artists it's still possible for a country station to cobble together the optimum coalition that spans from teens to leading edge boomers you might think that country radio still hasn't fragmented.

You'd be wrong.


We just hadn't looked old enough as yet.


55+ country partisans are clearly not happy with the direction that even the biggest hits of today have taken.

That's more than a third of today's country radio audience.

So, yes, country will fragment.  It will happen the day someone finds media buyers and advertisers willing to pay for 55 and older.

Meanwhile, for the average country radio station today, they remain the huge segment of our audience that no one is willing to pay for, but savvy buyers who ask our sellers to pitch on 18-34, 18-49 and 25-54 know that they get for free!

Tuesday, November 05, 2013

Common Threads

The key to broadening the appeal of a format with a target as broad as country radio is finding the songs that drive loyalty for as many age and gender subgroups as possible.

The lower the "difference" number, the less the polarity among these highest rated hits:


I get concerned when I see a difference greater than 10% when comparing cross tabs. 

Aldean and Eli Young, for example, highlight a potential incompatibility if the target includes both 25-34 and 35-44.


Meanwhile, it appears that 25-34 and 45-54 may be more alike in their tastes with these songs this week than 35-44 is.

If you don't look at all the target cells individually and compare them, you'd be missing something important.

In certain very competitive situations, even standard demos are too wide as generational cohorts age year by year from one cell to another.

(More) 35-44

How many demos can a country station super-serve?

Top of the 18-24 ranker:


The highest "favorite" scores of all four demo cells for the ones they love.

25-34:


Slightly lower positive passion levels, but still impressively strong.

35-44:

Four of the five top songs are the same as the younger cells, as Blake Shelton sprints to the line in the center 35+ cells.

45-54:


The upper end of the target's ranker looks a lot like the other three.

So, perhaps 18-54 is a target demo when it comes to the most popular songs?

How many demos can we super-serve? 
 

When it comes to our biggest hits:  at least four of them, thankfully!

Monday, November 04, 2013

It's Not Just How Many, But Also Which Ones

In 2000, almost one in five of the average country station's listeners was between 35 and 44.

Now, Nielsen's "Radio Today" reports that the format's 25-34 (15 to 15.4%) and 45-54 (19.9 up to 20.1) cells have grown in our audience comp as 35-44 slipped to 14.7% - due to the small size of Gen X compared to both the Boomers and Millenials in the general population.

Is that part of the reason the format's share of 35-44 listeners also dipped from the previous year? 

I think it would be if a station hasn't updated its callout screener to account for the generation creep that's been happening over the last decade!

Thanks to Cornerstone Research's Analyst, I compared scores of the best-liked new tunes 25-39 vs 40-54 to show what I mean.  It exaggerates the upper and lower edges of our audience and minimizes the opinions expressed by those right in the middle where we should still be aiming our arrow:


There was a time when most major country stations used callout that was targeted 50/50 25-39 and 40-54, 60% female and "60% core with 40% other core as found in nature."


If your station is still doing it that way, it's time to rethink your research plan.  That's especially true if you have moved from callout to online testing to your own station database.

Certainly, looking at the data that way continues to highlight the generational differences between the oldest and the youngest of your listeners 25-54, but splitting 35-44 in half understates their opinions.

That effect is amplified by the fact that if your station mirrors the national averages it's likely that the 20% of your database that was 35-44 in 2000 is now ten years older.  That makes it more important to look at today's smaller 35-44 folks' input on your music discretely compared to the larger numbers on both ends of our demographic scale.

Meanwhile, further complicating today's country targeting is the emergence of 18-24 and even teens into our cume (and music research).

Who wouldn't want as many younger listeners as possible? 

It's certainly possible to justify calling today's country format age target 18-54 (or even older!), yet dealing with five or six generational cohorts' attitudes, values, lifestyles - let alone music preferences isn't targeting, it's hosting a family reunion.

I want to consider some challenges that presents - and solutions - tomorrow in this space.

Saturday, November 02, 2013

Country Will Be Huge In 20 Years. BUT....

... are we going to be moving slowly downward 25-54 and 18-49 year after year between now and then, as leading edge boomers age out of 25-54 and Gen X moves into the middle of it?

It's worth studying both Census Bureau population projections as well as Nielsen's annual Radio Today historical trends to stay ahead of the curve.


More than half of the country radio audience today is over 45.  The country radio format's 35-44 composition percentage has been slipping for the last decade as Gen X has aged into that demo cell right in the center of our target.  (click the link to see Westwood One/Denver VP/Programming John Paul's prescient post and stats on this)  "It could get real ugly" between now and then, he says.

Fortunately, country still ranks #1 18-24. 25-34, 35-44 and 45-54 in 2013:

Last week,
Inside Radio talked to a number of smart programmers managing to beat the national averages:

  • Keeping 35-44 year-olds tuned in isn’t an issue for “93Q” KKBQ-FM, Houston.  The Cox country station was tops in the demo in September.  More often than not it’s the station’s best-performing demo.  PD Johnny Chiang attributes that to a carefully balanced music mix that’s big on common denominator records. “You have to go by what the song sounds like and the lyrics still matter a lot,” he says. “The biggest advantage country has over every other format is how the music and lyrics connect with the audience.”  Keeping country radio a family affair starts with the research, he and other programmers say.
     
  • Entercom country “106.5 The Wolf” WDAF-FM, Kansas City PD Wes Poe says the station keeps Millennials and Gen X-ers satisfied by testing its music across the wide 25-45 demo.  Consultant Jaye Albright says it’s important for country stations to include men and upper demos in their research — not just younger women. “I would target 22-44 so you don’t get dragged too young and blow off upper demos,” she says. “The 35-44 demo has the potential of being country listeners for the next 20 years.” 
  • Clear Channel EVP of programming Clay Hunnicutt says country radio continues to have broad demographic appeal and that it has attracted 18-34 year-olds organically. “We have to convert them, not target them,” he says. “I don’t want to make someone like me.  But if they’re coming to the party, I really want to show them a good time.”
So, what's the big deal?

To overcome the smaller proportion of 35-44 in both the general population and country's audience comp, the format must increase it's share of both Generation X and Generation Y listening above current levels.


The national country format average share 35-44 was up from 2011 to 2012 from a 12.2 to a 12.8, but then slipped to a 12.6 this year. 

The majority of country stations tracked by Nielsen this year cut a smaller slice of a shrinking pie. 
 

Turning that slight dip around by the time the next annual format report emerges in 2014 will lay the necessary groundwork for both a solid medium- and long-term future.  

Failing to do so will mean we'll need to wait for the average age of 18-49 and 25-54 to come down, which census data forecasts won't happen for a decade.  

Getting it "right" between now and then requires targeting more discretely than the standard ten year demo cells, growing new coalitions based on more than the mix of age or gender that worked for the format in the past.

Wednesday, May 05, 2010

Six Million Divided by ONE

It has been fun to watch the impact that the arrival of John Paul at Senior Director of Country Programming joining longtime Denver programmer John St. John and the team at Dial-Global/Denver just after the first of the year.

When the staff at DG wants to talk to the boss, all they need to do is yell “hey, John.” I received a note from both of them this morning, making an impressive announcement:

Dial Global now supplies American Forces Radio with their Mainstream Country 24/7 format and rebroadcasts it over their worldwide network.

In addition to our network of over 200 radio stations in the United States that carry us through Dial Global Radio Networks, we are now heard in 188 countries around the world wherever there are military installations, bases, offices, etc. We are heard in every United States Embassy and Consulate around the world. We are also heard on 37 ships at sea, including all aircraft carriers.

In addition, some of the installations broadcast us terrestrially so surrounding English speaking civilian support personnel and the native civilian population can listen.

The conservative estimate is that the audience of Mainstream Country on the American Forces Radio Network is over three million per week. That doesn’t include the domestic cumes of nearly three million, making Dial Global’s Mainstream Country format the most listened to country outlet, not only in the United States, but around the world with a total weekly cume around six million.

Paul tells me that they are starting to get requests from oversees, Birthday wishes and e-mails from all over the world.
“We are making overnights a little more important (since it's midday is the Middle East). Being extreamly topical and throwing in the more songs like "Angel Flight", "Arlington", etc. Many people are getting their "pop culture/Nashville news/things happening at home" from us in real time. Memorial Day we are planning on doing military greetings all weekend. We have to be careful because we can't really promote this on the air. Local affiliates don't care and don't want us to promote it. We can't sell the numbers (since AFR covers our spots with messages). It's a HUGE benefit for Nashville and country music. They get their music and artists exposed to millions oversees.”

I have worked with John Paul since he first started in radio in his hometown of Kelso-Longview and was trained/mentored by the venerable San Francisco, Seattle and Portland vet Bill Dodd, while he was working with GM Jeff Silver and now PD Wendy Lynn at WYRK/Buffalo and then KUPL/Portland and I can testify that he has a positive impact where ever he works, so there’s one thing I know for sure: he has his personalities talking to those six million sets of ears around the world ONE PERSON at a time.

No matter how big your cume becomes, they still experience it in first and second person singular, one at a time.