Showing posts with label CRS 2009. Show all posts
Showing posts with label CRS 2009. Show all posts

Friday, March 20, 2009

Impressions and Digressions from CRS-40

(Photo) Blake and Miranda made it all the way to the very end of Country Radio Seminar's latest and very last party. Did you?

A virgin's impression of CRS 40: Ryan Moore works in publicist Jeff Walker's Aristo Media publicity department. It was his very first CRS and he put together a very creative blog about his first CRS memories.

Thanks, Jeff, for encouraging the click!

Monday, March 09, 2009

I Survived CRS 40!

If you are a member of Facebook, search for the group of that name and join the discussion group, set up by 2009 agenda chairman Keith Kaufman.

I am so excited to hear that John Paul is next year's agenda chairman. That guarantees a great meeting (2/24-26/2010) full of relevant ideas, sharing and learning. (click here if you'd like to help him create CRS-41)

This was a great CRS content-wise. The panels and speakers were all terrific and absolutely not to miss. BUT, may people who came to Nashville last week DID miss them. Music business executives obviously made the decision to completely igonore the "no competing events" rule and it sure looked like there were a lot fewer people "on campus" than there were "off campus" than there ever has been. This has always been a big problem going back four decades. Unless this issue is dealt with fairly, it will pose a huge challenge for next year's agenda committee. I hate this thought, because for me the CRS needs to be ALL about learning and sharing and NOT about music promotion, but maybe it's time to do fewer sessions, go back to just one track for two days and just let the promotion happen, since it's a bigger draw for many (a majority of) attendees than the sessions were. The small number of people in the rooms for the CMA and Edison research presentations was a sad commentary.

Comments already posted to the group:

Bill Mayne (Nashville, TN) wrote
I think the sessions were some of the best in years. Seth Godin alone was worth the price of admission. Kudos to him for a targeted presentation, not boiler plate. The Edison and CMA studies should be"required reading" for everyone in the business. Great job by the agenda committee. A great week of seeing friends (new & old) and learning a lot!

Sue Wilson Cordle (Akron, OH)
I agree with the comments (re:) competing events...on and off campus. On campus, I attended some great sessions, and was also surprised by the low attendance in several. And there were times when I was torn between 2 sessions that looked great at the same time. The Edison research presentation is a "must" for every programmer. Although there were several good ones, my top 3 highlights were: 1) Seth Goodin, 2) the Talent session moderated by Mike McVay with Randy Lane, Valleri Geller and Tommy Kramer...4 of the best in one place (worth the price of admission) and 3) the Edison study. Off campus highlights were: The Boat, esp the Frampton/Paisley jam, the Blackbird studio with Martina, and seeing Caitlin and Will, who I think are incredible.

Jay Noble (TM Studios) wrote
First time in decades that I paid my own way. No corporate underwriters. I wish more broadcasters would invest in their careers. The "company isn't paying so I'm not going" isn't an option these days. The networking alone pays for the experience, plus you can write it off the following year. On the entertainment side, Darius Rucker hit it out of the park. This guy is the real deal.

Don Brake (Binghamton, NY) wrote
I like that I went an entire week without eating Ramen Noodles! :-)

Dallas Rogers (Nashville, TN) wrote
CRS ... creating the memories and living the moments that will continue to befuddle therapists and psychiatrists across America ... until next year. Good times!! Great to see everyone!! By the way, I think Luke Bryan and Lady A might have a future in the Ballet!!

Andie Lynne (Nashville, TN) wrote
Had a great time! Great topics and shows! Caught up with some old friends and met some new ones! Great job! BTW... if anyone sees my liver, could you send it my way?

John Shomby (Virginia Beach / Norfolk, VA) wrote
It was DEFINITELY fun. I am normally an early morning person but , at CRS, I become an early morning AND late night person. Excellent New Faces show......and my CRB Board hat is off to the agenda committee for a super selection of panels and folks on those panels. Best group I've seen and heard in the 7 years I've attended.

Keith Kaufman (Nashville, TN) wrote
Hey that was fun. Ya'll come back now...on second thought "now" doesn't work for me.. Cool memory from last week- Jamey Johnson looking back told me "Last year I was swinging a hammer. This year they closed down the road for me to do a show. Wow."

Bob Reeves (Warner Bros Records) wrote
Had a busy week at CRS 40...just wanted to congratulate the Committee on a terrific agenda and say kudos for pulling off a great event in a challenging time! I'm proud to have served with them all this year and wish them the best for 41!

Saturday, March 07, 2009

Attend CRS-40 Sessions Free (Now!)

This year's Country Radio Seminar was not just the 4oth one, but since I have attended 36 of them I believe I have the right to say that it was also one of the best ever.

"At the end of the day, what comes out of the speakers is the ONLY thing that COUNTS..." - talent coach Valerie Geller, who along with Mike McVay, Tommy Kramer and Randy Lane gave freely of themselves in order to achieve that for all of us

Every session is available on mp3 for download for $8 each, but in the best idea of the whole event some great sesssions are now available online in streaming video. Click to start watching.

Wednesday, March 04, 2009

A&O Pre-CRS Seminar '09 - At The Country Music Hall Of Fame

Jessica Andrews performed at the Country Music Hall of Fame & Museum and Rascal Flatts previewed their new video as the Albright & O'Malley Pre-CRS Seminar opened, cosponsored by Country Aircheck and Lyric Street.

Pictured (l-r) are Disney Music Group's Doug Howard, Greg McCarn and Randy Goodman, CA's Lon Helton, A&O's Mike O'Malley, Andrews, A&O's Jaye Albright, Disney's Kevin Herring and Carolwood's John Ettinger and Chris Palmer.

Keynoter Jeff Vidler (Angus Reid Strategies) urged the assembled programmers to pick the right target demo in their markets, know and reflect that target, build a bold and relevant brand, and hitch that brand to digital media, "What’s Next for Radio."

Changing demographics:
• Leading edge of baby boom out of 25-54; miniboom now moving into 25-54
• 25-54s will get more diverse – white, non-hispanic declines
• Growth will be in more urban counties; metropolitan counties younger as well
• Hispanic median age 27 (black 33-34, white 41)
• Older, white, rural vs. younger, diverse and urban
• Challenge: How can country remain true to roots and values yet appeal to younger, diverse, urban?

Internet changes
• Consumer is in control and know it
• Expects everything faster, better, cheaper
• Want what I want when I want it
• Increased expectation for material success, more women in the workforce balancing family and aging parents, increased commute time (148 hrs per year)

Explosion of choice
• Number of brands on shelves – 15,00 in 1991, 51,000 in 2001, 135,000 in 2011
• Ad messages per day – 1960- 1,5,00 by 2010 = 9,000
• Unlmited media fragementation – 175M Facebooks uers, 250M my space, 2.2 million Twitter, 27 million Xanga users
• 83 M visited youtube in Jan 2009, 34% more vidfeos watched than last year, 150,000 videos uploaded each day

New Audio Alternatives
• Young – mass media is spam controlled by someone else and a poor alternative
• Share of past week listeningto all forms of audio (online consumers):18-34 – use less than half of 55+ (27%/60%); 35-54 47%; 18-34 46% of all audio is to personal music”
• 18+ - about 50% radio indespensible/important
• Why: distribution advantage (esy, convenient free) 40%; exclusive content 30%, non-exclusive conent 20$=%
• 18-34 place most value on easy/convenient/free

Recession Is the mother of Innovation

Format Core Brand Values:
CHR – young, in touch with trends
Country – down to earth, comfortable with self, family important
Rock – renegade party
Alternative – open-minded, discovery
Soft AF – refined, loving, being content

Richard Harshaw/Monopolize Your Marketplace

Record incentives aren’t helping sell cars: “What convinces is conviction” – Lyndon Johnson (no amount of logic will change a conviction)

Hyundai – up 14% in January (assurance program); Ford down 47%

Find out what’s really important in your products, i.e. "If you lose your job, we'll take the car back, no questions asked."

Confidence gap – increased knowledge/competition, choice/information, longer buying cycles, prducts are commodities, identical marketing messages

Inside reality vs. outside reality
What’s your inside reality for your station as it relates to advertiser relationship?

Outside perception – how people thing about you (no matter how good your inside reality is, the outside perception will drive the business)

Typical relationship is transactional: client gets exposure in exchange for dollars
You deliver ratings, offer a certain value – it is what it is
Sales staff is full of sales people (not necessarily marketing people)

Advertisers frustrations: they have budgets, but they don’t know much about advertising
Symptoms – they let ad reps write their ads for them
Continue to spend money on things that don’t work
They become skeptical of all new ad opportunities
Now scared because of recession

Outside perception – aad sales jobs often, wll do anything to get sale, try to sping numbers and cut prices in hopes of getting any sale

Three steps to Powerful Marketing
Have something good to say
Say it well
Saying it often

Have something good to say – your marketing job will be eaiser if you innovate your business
Become Fountain of knowledge:for customers – they need customers
What business are you really in – helping clients maximize their advertising opportunities

Psychology of persuasion
Repricocity (if I do something for you, you’d do something for me)
Consistency
Social proof
Scarcity
Liking (more likely to do business with people I like)
Authority (are they really an authority on the subject)

Become a beacon of light in hazy world of advertising; helping them make best choice of budgets, offer bonafide marketing advie and solutions; you have to be willing to lose sometimes

Be liked, authority, reciprocity – all weapons of influence

How to help… become fountain of all knowledge for client
Evaluate marketing messages
Weekly emails with marketing ideas
Monthly mailers/CDs (may be online, but you hand it to you)
Monthly tele-seminar
Website to download information
Live training seminars (put on seminar for clients)
Most ad reps have hand out for money – you hand out material)

Make sure your sales reps "have," so they can give

GARY MARINCE VP/Programming and Services Development

Radio gets better TSL by minimizing tune-outs
To increase your ratings, build a bigger hour
When marketing is high and station has high AQH quarter-hours, we need to keep these hour CLEAN
Highest numbers are often hours with most music
Strategic placement of spots is important – when commercials air, stations lose 20% of QH audience
Keep spots out of strongest quarter hours.

Find out what QHRs are strongest, and keep them clean; puts spots in the softest QHRs (lose 20% of listeners in a QHR that has fewer QHRs to begin with).

The biggest market quarter hours (most AQH persons) – keep ultra clean – minimal (or no) commercials, no promotional announcements, etc.

WYCD – national cume ratings leader for the country format. What do they do?
Highest cume rating – lowest number of titles (tight library)
Minutes in music – cume leader has most
Smallest minutes in mic time – cume leader keeps more audience from tuning away during non-music times
2 stop sets, lowest commercial load limit

Super Heavy User Quintiles: Heaviest users don’t listen at the same times/have a pattern. What have you done for them today?

Accountability – poor talent breaks can cause severe audience erosion; it’s all about the talent presentation/content and the expectations people have of the station

PP1s are even more critical in PPM – fewer number of meters

Voice-tracked do not appear to be penalized; ‘best of’ shows are penalized

Tommy Kramer coaching tips

• Question: What’s your goal a year from now? Answer: I’ll help you.
• Cultivate an environment where you can foster/nurture talent.
• Talent will keep doing the same thing until you show them it’s irrelevant
• Be the moon, reflect back to listeners what he/she care about with your observations and opinions makes you relevant
• You’ll become closer to listeners when you exchange opinions, share feelings
• For reticent talent: play worst break and ask them if that’s what they want to be known for? Do it quietly/one-on-one.
• Unique: where you only say what only you would say
• Find a way to put things on the air that are unique to you.
• With focus (on your listener) comes depth, and with depth comes vocabulary.
• Radio is about words and emotions.
• How to stand out: say things that are unique to you that you and your listeners have on their minds. (is it real, relevant, emotional AND interesting).
• Every meaningful relationship starts with things you have in common.
• Show prep is easy – just keep your eyes open (digital recorder for thoughts; flip camera; cell phone)
• If you’re only doing audio, you’re a dinosaur; all dinosaurs did top become oil was stand still
• The camera angle you use determines how you’ll tell the story.
• The first place you can get out, get out.
• We’re not DJs. We’re voice actors; jocks try too hard.
• How to be great – guaranteed – 5 things (Weigh yourself not against other DJs, but everything vying for listeners’ attention; your promos compete against Hollywood trailers.)
a. Say things once, well. No summing up. Say station first, say something worth hearing; shut up.
b. Getting to the point quickly is the name of the game.
c. Forget about your voice; big voices are less effective because it’s about real; big voices sound angry or tired.
d. Let go of caring how you’re perceived. Egos are the enemy of performance (except for Rush Limbaugh who is intentionally set up to be this).
e. Picture your listeners’ lives, then work back to the control room, then reflect it back featured through your opinions.

Click here to read Country Aircheck's recap of CRS events yesterday including quotes from A&O's Pre-CRS seminar. Thanks again to the Country Music Hall Of Fame for again hosting our event!

Wednesday, February 11, 2009

Things We Love/Hate About Country

Tom Taylor at Radio-Info is putting together a special feature for their CRS-40 issue. He's asking lots of folks two questions, and here are my responses, to get the discussion started:

* 40 Things We Love About Country
How accessible and radio-friendly the artists are.
The incredible broad demographic reach.
The core values of country fans.

* Tough love – 40 Things Country Radio (or Country Music) Needs
If it hopes to grow with 20-39, it simply must expand beyond America's Southeast in its content. The fact that Kid Rock was able to successfully sing about Northern Michigan is a hopeful sign.
We need a fashionable Hispanic female and an Asian male to release a wonderful song duet which becomes a big hit. We need a Hispanic country superstar or two, yet sadly the chances of that getting played are about as good as the core welcoming back the Dixie Chicks.

I hope this generates lots of comments! And, Tom, thank you for opening this thread which is sure to get folks talkin' and thinkin'.

Tuesday, February 10, 2009

Tommy Kramer Added To A&O Pre-CRS Seminar

Kramer will take attendees into "The Coach's Studio." This session idea was actually suggested by Dial Global personality Lia Knight who will introduce Tommy by sharing a bit her feelings when she first decided to accept coaching and about what a big difference having an objective, knowledgeable pro work with her to improve her content and approach has made to her personally and professionally.

Tommy Kramer has spent over 35 years in radio as an on-air talent, Programmer, and Talent Coach, and has worked with over 200 stations in all formats, specializing in coaching morning team shows. He was elected to the Texas Radio Hall of Fame in 2003. He’ll share insights into gaining the trust of an air personality and techniques for helping them improve their air work and as a result their ratings.

Admission is free, but you must have an invitation. RSVP now.

Thursday, January 08, 2009

Music And Radio Business 2010: Which Is More Profitable - Own 10,000 Radio Stations? Or, One Passionate Fan?


Today's economy is teaching each of us that, like it or not, we're all business managers.

No one can be trusted to manage your career, future and finances other than you.

Meanwhile, never before has it been so important to know what business you are in and at the same time so difficult to see what the future holds.

For example, while our audience is going up, revenues are going down.

Arbitron's Radar 99 National Radio Listening Report just found that radio reaches more than 234 million persons age 12 and older over the course of a typical week up from 232 million previously.


Meanwhile, BIA Financial Network reports that for the second consecutive year radio revenue is expected to drop 7 percent this year to $16.7 billion, the lowest total in more than five years and next year radio revenue could plummet 10 percent, going as low as $15 billion. Positive growth isn't forecast until 2010 with a very modest 1.5 percent uptick.


The music business is in an even more tenuous position. "While music is more widespread and more easily available than ever in history," well-known marketing thought-leader and author Seth Godin points out that "music and songs and musicians aren't going away, but the business of fairly anonymous labels that have no brand or direct connection directly with listeners, extracting 80%, 90%, even 100% of the profits from the musician, that is clearly going away."


Godin has been accurately predicting the future, guiding business in a series of prescient best-sellers like Purple Cow: Transform Your Business by Being Remarkable, Permission Marketing : Turning Strangers Into Friends And Friends Into Customers, The Dip: A Little Book That Teaches You When to Quit (and When to Stick),and his latest one, Tribes: We Need You to Lead Us and he'll be sharing his insights with attendees to the Country Radio Seminar this year (click for more info).


The future Godin sees for music and radio, as quoted in researcher Mark Ramsey's Hear 2.0 blog: "You could own 1,000 stations or 10,000 stations, each one of them could be the best in somebody's world. I think 'the win' for the music business is to realize that music is a chance to spread an idea. My fear is that there's too much nostalgia in the music business for them to grab a hold of that quickly."


Godin, about his new book: "So what's missing today is not that we don't have enough tribes, it's that we don't have enough people to lead them, and that is the opportunity I talk about in the book, particularly to people who already have a platform, who already are speaking to numbers of people, who already are trying to make something change.


"The opportunity is to realize that what you do for a living now is not interrupt the masses but instead lead and connect a tribe. The worst enemy of a radio station is the Arbitron ratings (and perhaps a mass appeal hit song for a label or an artist?) because they force you to abandon the tribe."


Take it from me: you need to be at CRS-40 in Nashville to hear Seth Godin’s take on our future, YOUR future. And, of course, please also come to A&O's Annual Pre-CRS Seminar as well.

Thursday, November 27, 2008

A&O Pre-CRS Seminar '09 - At The Country Music Hall Of Fame

It has become a twenty-year tradition for A&O clients and friends, some of whom have been attending the "Pre-CRS Seminar" just before the Country Radio Seminar in Nashville for learning, research presentations, dialog on growing Country Music Radio, while sharing new music by emerging artists we're excited about since 1988.

Again this year A&O has reserved The Ford Theater at the Country Music Hall Of Fame on March 3, 2009 from Noon to 5 pm. Be watching in early January for news of our agenda and your chance to RSVP. For now, all you need to do is put the date on your calendar and plan to arrive in Nashville for the 40th Annual Country Radio Seminar and DJ/Radio Hall Of Fame dinner before noon on Tuesday, March 3. It will be an afternoon well spent.

Monday, August 04, 2008

CRS-40 Is Seven Months Away And It's Already Making You Smarter

For 39 years the Country Radio Seminar in Nashville has been making thousands of people smarter year after year. As a way of getting you to think differently about coming to CRS whether your employer gives you the time off and pays your expenses or not, I'm going to propose you do what some of the richest people in the world have been doing to make real money while the rest of the world is complaining about a weak economy.

How can Southwest Airlines be the lone profitable American carrier, while other airlines are reporting red ink quarter after quarter?

It's because Southwest pays less for its fuel.

How?

Futures contracts.

Southwest thought longer term and bought jet fuel for both its airplanes and its balance sheets at last year's prices.

You can do the same thing with CRS-40, your company and your career.

But, you must act now. Early bird registration for CRS-40 just opened this week. The early bird registration rate has been held at $499 for the past three years in order to help those for whom cost is an issue, especially those who pay for their own registration. It will never be a better bargain.

The registration cost goes up on December 15, 2008.

Here's a plan: put the CRS in your 2009 convention travel budget.

When the budget is approved by your company (they probably know already how valuable CRS is to improving your knowledge, skills and is an unparalleled networking opportunity), be a hero and let your boss know that you wanted your station to be just like Southwest Airlines so you got the registration at the lowest possible price. You're a hero.

But, what if they don't approve that budget? What if they say you can only go to CRS in 2009 if you take vacation time?

Think of CRS-40 as a star-studded, entertainment-filled, knowledge- driven vacation, three and a half days on fun, a reunion with some of the most influential players in the country radio and music businesses.

Even better, it's a tax write off from your personal taxes if your company doesn't reimburse you for it.

Just try to find a more fun, informative, star-studded vacation for so little money with such a big payoff! You can't.

And, you can't get the IRS to allow you to deduct that weekend in Branson or Caribbean weekend cruise either.

I've been attending CRS for 34 of its 39 years. I guarantee that it's worth every penny.

Be smart. Play the future between now and December 15 ..YOUR future.