The audience is wide and the hunger is deep for emotional directness and song-oriented craftsmanship.
The raised-on-rock generations of the sixties, seventies and eighties, now paying mortgages and raising families, no longer see their concerns reflected in computerized dance beats or heavy metal cartoons.
They hear in Jennifer Nettles and The Band Perry what they love in Bonnie Raitt; identify with the bluesy, blue-collar populism of Brad Paisley, Toby Keith, Zac Brown and Jason Aldean as the honky tonk equivalent of Lynyrd Skynyrd; appreciate in the tunefulness of Lady Antebellum what they previously prized in Linda Ronstadt and find their Elvis (or at least their Elton) in the kid-next-door sincerity and concert razzle-dazzle of Taylor Swift and Kenny Chesney.
-- my updated rewrite of critic Don McLeese’s December 24, 1992, Rolling Stone quote
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