Monday, December 28, 2009
Saturday, December 26, 2009
For the last twenty years (at least), everyone has been building, maintaining, growing and mailing/phoning an active listener (hopefully, not limited only to contest winners, but also including the kind of folks who enjoy voicing their opinions on the radio they hear) data base.
OK. What now?
If you are planning to do direct mail in the next survey, ask your list supplier or printer to do a postal cell analysis of that database of yours and start mailing to lists NOT JUST FROM HOT ZIPS BUT FROM YOUR HOT POSTAL CELLS (zip + 4) within those hot zips as demonstrated by listening patterns in your listener database.
Arbitron has been block coding their data since fall of 1994, but because of the sample size of Arbitron in most hot zips, using ARB diaries to try to locate the hottest postal cells within your hot zip areas takes four or more rating periods in diary markets and, perhaps, several years in PPM metros with their smaller sample sizes.
Your data base is probably five, ten, fifteen or more times larger than the entire ARB sample right now, making it a much more accurate source of this statistical information than tracking hot zips from one diary review.
In Canada, due to stricter privacy laws, there is only one way I know to gather this info: your own database of listeners who have given you permission to engage in a relationship with them.
Even better, these are ALL your listeners. So, since there is no waste, there is a very high likelihood that the folks who live in the same postal cells as the majority of the names and addresses in your data base are excellent prospects for conversion marketing.
Since they probably know that most of their neighbors are already listening to your station and since they share many of the same lifestyle patterns, they'll probably be quite responsive when you give them a solid reason to do so as well by mail or by phone.
A single zip code may contain 40,000 or more addresses. But, after studying the hottest postal cells (zip + 4) represented in your database, you may find that there are specific areas within such a zip code where a mailing of fewer than 10,000 homes could have the same (or better) impact as a full market mailer.
Postal cell information that you can develop now from your own in-house database will most likely still be more useful and accurate! So, what are you waiting for?
In one situation we know about this past Fall where the technique of carefully cloning a list of prospects for a direct mail campaign was born out of the hottest postal cells in the station's active listener data base, average quarter hours have soared.
This was accomplished with a mailing of only 100,000 homes located in key postal cells of the station within this metro area of nearly 4,000,000 people. More amazingly, the response rate of this direct mail piece (aside from affecting the station's ratings very positively) was 22%!
After mailing just 100,000 households, this station added 22,000 names to its database in only eight weeks.
Of course, now that they have increased the size of that original database, the next "postal cell analysis" they perform on their database for their next direct mail or telemarketing blitz will be even more accurate in pinpointing and targeting ONLY the areas where they have the very best prospects for building cume and TSL.
Facebook is nice. Email is good. Tweets are OK. But, until radio ratings companies stop placing their samples in homes, there’s no better use of your time than building, maintaining, studying and refining your strategies to find the geographic hot pockets where your heaviest users reside and work.
If you’ve been marketing radio for very long, you know this.
"Knowing" is not the same thing as DOING, is it?
Wednesday, December 23, 2009
The television industry will end 2009 with lower than expected revenues of $15.6 billion, a 22.4 percent decline from 2008, in a year that was dominated by shifting advertising budgets and a poor economy, according to BIA/Kelsey, a strategic and financial advisor to media companies in the local marketplace.
The significant drop also begins a leveling-off of television industry revenues to the mid-$10 billion level — not seen since the mid-1990s — through at least 2013, as reported in the fourth edition of BIA/Kelsey’s “Investing In Television® Market Report.”
BIA/Kelsey sees 2010 revenues for the television industry as increasing slightly to $16.1 billion, of which $130 million in additional revenues will come from online advertising. The company notes that online income brought the industry $518 million in 2009, a 12 percent increase over last year’s $463 million. BIA/Kelsey predicts continuous annual double-digit revenue growth from online channels, such as Internet and mobile, through 2013, when the industry should reach the $1 billion mark.
The report also shows that while most markets did poorly in 2009, others will manage to post positive numbers in 2010, primarily due to significant state and local elections.
Tuesday, December 22, 2009
Ya wonder if the job application he filled out when Don returned from Salt Lake City to work at WOW 104.3 contained anything about tolerance to cold.
His next stunt? Make-A-Wish Foundation's January 1 "Polar Bear Challenge!"
Monday, December 21, 2009
“Our deeply discounted Unemployment Rate serves two purposes,” says CRB President Becky Brenner. “First, it gives those without work a financial break so that they can still afford to attend CRS 2010, and second, it provides them with the tools and networking opportunities to help them in their job search.”
The Unemployment Rate provides attendees access to educational events only, including more than 20 seminars, panels and exhibits. Notable agenda item highlights included in the discounted rate are the CMA Research Presentation, Dave Ramsey’s Keynote Address, Bob Rosner’s Workplace 911 panel and the current-events Hot Topic panel. Tickets to the Music City Jam™, New Faces of Country Music Show® and daily luncheons must be purchased separately.
The Unemployment Rate is currently available through Jan. 31, 2010. Contact Kristen McCrary at 615-327-4487 or Kristen@CRB.org for registration materials. Proof of unemployment will be subject to verification by CRB, Inc.
The Regular Rate of $599 is now in effect through Jan. 31, 2010, for all others planning to attend CRS 2010.
Meanwhile, The Conclave is also offering a break for folks who plan ahead: earlybird tuition, just $199. Use the GANG OF 10 IN 2010 discount to save even more. Reserve a Doubletree Park Place Hotel room for just $99!
Sunday, December 20, 2009
The research comes back that the station is very healthy and pronounces that the station's brand is strong but the problem is "execution."
Could this be because the researcher is asking the same questions in the same ways which were so predictive of success in diaries, weekly cume and favorite station + importance of parameters + key image ownership?
Shouldn't we be asking in the major markets where PPM is going to be currency in 2010 about daily cume? Daily occasions? Key personalities and programming elements which drive listeners to use a station more days per week and more times per day?
In the U.S., Arbitron is planning a first quarter update of PD Advantage web and promises new reports to be added. Hopefully, one of them will be a day by day report of how many panelists use each competitive station each day of the week and how many times per day for each daypart as well as how long the exposure is for each of them.
Sadly, from my perspective, Canada's BBM is another story completely.
Their InfoSys software (a report from it is pictured) was developed in Spain (for TV, not radio). I have as yet to encounter a Canadian programmer who even fully understands how it works, let alone how to begin to extract info like ARB's current Vital Signs report, which has been available to both diary and PPM stations in PD Advantage software for years now, let alone anything more sophisticated to assist programmers in understanding what they need to do to grow their shares.
Hopefully, BBM includes a New Years resolution to look very hard at the Programmer's Package ARB provides online each month and come up with something as helpful.
Also, would it be wise to reconsider the decision to show only "average minute audience," rather than "average quarter hour," the standard for comparison we've all used since radio audience measurement was created? Not only is BBM comparing apples to oranges in its diary reports vs PPM studies, but audience sizes appear to go down. Who thought that would be a good idea?
We all have a lot to gain if radio programmers can quickly understand the differences between ratings driven by memorablity and behavioral research.
I wish ARB and BBM would both step up their efforts to help stations figure out what's going on and what they need to do about it.
So far, I'd say that ARB is running faster in the right direction than either BBM or radio's longtime perceptual researchers across North America, but we all have plenty of catching up to do if we expect advertisers to see us as "programming experts," let alone our ratings as credible and useful.
Saturday, December 19, 2009
It covers population, education level, neighborhood information, median age info, employment diversification, crime, etc. It also helps you compare information between markets.
Research your town and see how much you know about the place where you live!
Wednesday, December 16, 2009
Smart phones (66.4%) and homemade Christmas gifts (62.4%) also rated well with consumers.
Those over 35 are more likely to pick up a copy of Going Rogue by Sarah Palin or Susan Boyle’s CD, while Guitar Hero is a top pick among those under 35.
Like the Snuggies we surveyed before them, men are particularly not fond of women’s leggings…but what do men know about women’s fashions, right?
If you don't know why this might be a tune-out, please give me a call (206-498-6261) or an email and I'll open your eyes to the concept of engaging a listener, never wasting their time.
Tuesday, December 15, 2009
Toby performed "God Love Her," "Cryin' For Me (Wayman's Song)" and "American Ride," for the 8,000 folks at the concert. Toby, his wife, Tricia, plus his manager and publicist attended the ceremony to watch President Obama receive his Nobel Peace Prize.
It was at the after-party for guests and artists only, when Toby met actor Will Smith, Wyclef Jean, and Natasha Beningfield for what turned into a jamming party for all the artists and guests. Check out this link to catch Toby rapping with the best of them.
By now everybody knows that Garth Brooks came out of retirement (click to watch his pre-show interview with KMLE's Tim and Willy) for a 5 year contract to perform weekend shows at the Wynn Resorts Encore Theater in Las Vegas, on the condition that he could return home on a private jet to continue parenting his daughters on a full time basis as he's done for the last 10 years. The new gig began last Friday and Saturday as fans showed up from thousands of miles away to be as "one-on-one intimate" with Garth Brooks and his talent as you can be without having him singing in your living room.
The big question was, could the star whose show was so big and broad it entertained a million people in New York City's Central Park..be just as compelling by himself, with acoustic guitar and microphone in a venue that held about a thousand people?
The answer, a resounding yes!
Anybody that saw his show over the years experienced moments when he and his guitar would take over the show for a few songs,... but, could Garth and his guitar for an hour and a half, be as riveting and joyful?
The press was invited for the 8 and 10 o clock shows on Saturday night and a song or two into the first show, the answer was quick to come...he can do this, after all, he's Garth Brooks! His voice is still so strong and in tune, so powerful in the joy and emotion that made him great, you don't miss the big production on is records or the great band he had with him on the road.
Garth took the stage dressed in a hooded sweat shirt, baseball cap, jeans and hiking boots. No fancy sets or audio visuals of any kind, just a stool for him to sit on, which he used only to hold his bottle of water. Then, the tour-du-force of this master raconteur, humorist and vocalist begins.
Prior to the show we asked Garth how he had been preparing for this unique experience, whether he been writing notes, recollecting stuff he thought he could use in the show? But he says, "No, it's pretty easy to remember...and thank God I'm only 47, instead of 87, so it's pretty easy to remember the big milestones of my life."
Of course, it's one thing to have a good memory, but few people can recall the range of personal stories and tell them with such humor and pith that Brooks does so amazingly well. It was a wonderful night of humor and great music from the guy who will likely go down as one of the greatest performers America has ever produced. It's also interesting to hear the stories of his how his unique music was shaped by his being a fan of pop icons like James Taylor and Billy Joel. Their songs were included as well as the songs of his greatest country music influences, "The two Georges, George Jones and George Strait."
TRISHA JOINS IN ON THE FUN
At Friday's press conference Garth was asked if Trisha would ever join him during these shows. He said, not that night because she wasn't feeling good. But , about an hour and 20 minutes into the Saturday 8 o'clock show, Trisha came on stage to such a thunderous welcome, Garth exclaimed, "All of the sudden I'm 'Mr. Yearwood!''
Trisha looks great and sang her debut hit "She's In Love With The Boy.'" Then Garth suggested "Walk Away Joe," and ended up singing some sweet harmonies with her on the song." She performed on the later show as well.
GARTH TAKING CARE OF BUSINESS WITH FAMILY
Friday Garth provided an example of how the concerts and his family life will work. He flew in for the press conference and first show with his oldest daughter, Taylor," and Trisha. "We're flying out in the morning so that she can participate in a soccer match in Memphis."
Bottom line, the "Only Garth" shows at Wynn Resorts are a resounding success with the first audiences that managed to grab up the tickets to see this uniquely talented performer prove that
"Only Garth", is plenty enough for a great night of music and memoirs from an American music superstar.
- Neil Haislop
Monday, December 14, 2009
A&O says "yes," with #1 12+ classic country stations from KTPK, Topeka, to KAYO, Wasilla. We even caught a Bass (WOMG) in Springfield this fall.
Want more info on how it's done? Call Michael O'Malley at 732-937-5757 or drop him an email.
And, no, your frequency doesn't have to end in ".9" to make it work, but in these three cases it sure hasn't hurt, either!
Sunday, December 13, 2009
“People want more from the devices they carry and audience measurement should be designed for any media, anywhere, any time.” -Taymoor Arshi, ARB Senior Vice President, Engineering and Chief Technology Officer
PPM shows that the average listener comes to radio 31 occasions of listening per week, half of them to their P-1 station. These are “16 moments of truth” for stations and personalities. Are you driving more than just ‘average’ daily regularity from your heavy users by deeply understanding who your listeners are, where they are, what they care about, what else they do?” -Tripp Eldredge, DMRInteractive
“Spot loads matter in PPM ratings. Every time the station breaks, people bolt. The more times you break, the more they bolt. ARB is ultimately hoping that owners realize they need to cut commercial their loads to get rating point levels up, which will drive revenue growth.” -John Snyder, Vice President, Portable People Meter Sales/ARB
Thursday, December 10, 2009
Do you want my money, time, support, loyalty, even if you happen to be representing yourself as being from something I really believe deeply in??
Address me in the singular, as one person. Even better, use my name in the email header.
And, Barry, whoever you are: if you have something to tell me, you might want to simply address me directly by sending an email which at least "appears" as if it's directly from you to me.
Tuesday, December 08, 2009
From the November PPM Arbitron sample update: unless almost 80% of your listeners use you every single day, seven days a week, you are below average!
What do you do to make sure listeners come back to you, never missing a single day?
There's only one answer: creative, entertaining, immediate, local, relatable, engaging, unique CONTENT that they can't get anywhere else, from anyone else.
Sunday, December 06, 2009
Where will you be on Census Day — living in your RV, couch surfing at your friends', squatting in your parents' basement? The U.S. Census Bureau is preparing to count the more than 308 million men, women and children living in the country April 1, 2010. With just 10 questions on next year's form, this would seem simple enough. Yet the count is likely to be not just the most costly but possibly one of the most difficult ever staged.
Both ARB and Nielsen need reliable census data if we are to hope that their audience estimates in the next ten years will be accurate and representative.
What are we all going to do if any group in the general population feels that the 2010 Census is suspect?
Future budgets .. from advertising to even federal revenue sharing, depend on getting it right!
Friday, December 04, 2009
You could ask listeners and play the hits they say they like most (pictured: this week's RateTheMusic top ten, ranked by "total favorite" percentages), you could do a free listener appreciation show with a no-name or two and hope that exposing them to listeners gets a superstar of tomorrow started on their way, or you could play spin the wheel and just expose the whole process for what a joke it is (pictured: KUPL/Portland, making the point - it would be nice to hope - with tongue firmly in cheek from today's Country Aircheck)
Before you get tempted to play the game in any other way than one which is good for your audience and your station, take a look at Tim Quirk's blog and think about all the money which labels will be billing for those other "Too Much Joy"-level artists for their rest of their lives, as they go on with their "career," most of them working outside the music business at normal jobs, looking back at the whole process while sardonically rolling words like “$10,000 Is Nothing” around in their mind for many fruitless years to come (pictured: TMJ's absurd royalty statement from their former label).
"How you gonna convince people not to steal when you’re stealing yourself?" -- Bob Lefsetz
Thursday, December 03, 2009
“you’re better off having more stop sets with fewer commercials in each pod."
.. so I checked the top of the rankers from yesterday's ARB November PPM monthlies, to see how many programmers agreed with that assertion. I reviewed the top ranked music stations in New York and Los Angeles yesterday in their 9:00 am to 10:00 am hour:
Station - # of commercial breaks:
WLTW (#1) - 2
WCBS-FM - 2
WHTZ - 4
WAXQ - 2
WKTU - 2
WPLJ - 4
WRKS - 2
WBLS - 4
KRTH (#1) - 3
KIIS - 3
KAMP - 2
KPWR - 3
KCBS-FM - 2
KLOS (no music) - 3
KBIG - 3
KHHT - 3
KROQ - 4
The average number of commercial pods in same hour by these 17 top-rated music stations in America's two largest markets: 2.8.
Before implementing programming guidance from a CEO, you might want to ask some top programmers who have been managing daily cume and daily time spent exposed usage.
However, proving that he is paying attention and learning along the way, Liggins also cited for lawmakers the lessons syndicated morning host Tom Joyner has learned from PPM, and that guidance will find few detractors among PD's or programming consultants who have experience in any of the meter-measured markets:
"Talk, no matter how big a personality you are, if you’re not absolutely entertaining, is a death knell.”
Wednesday, December 02, 2009
Many of those are either new listeners or people tuning in at times when they never listened to regular broadcast radio.
But radio has been slowest among the media industry to turn its Internet audience into cash. Gordon Borrell calls radio the "C" student of the Internet. Radio gets only an estimated 2.4% of its revenue from online, while TV gets 3.4% and newspapers 7%.
For the clients that do pay for Web commercials, radio companies haven't been able to command much in the way of rates. Advertisers who buy on streamed radio typically pay about half the rate per thousand listeners that they do for regular broadcast ads, media buyers and radio executives say.
Charitably, I guess you could term that "growth potential."
A clue from one of streaming media's A students: tight control on inventory is one of the reasons Pandora is on track to eke out its first quarter of profit in these last three months of this year, says chief operating officer Tim Westergren. He expects full-year revenue of about $40 million.
Many listeners to online audio are tuning in to Internet-only services such as Pandora Inc., which typically play far fewer ads. Pandora offers only a fraction of the ad time on digital streams of regular radio stations. "They're trying to keep it clean," says Kathy McLaughlin of planning and buying firm Media Spot Inc., which means Pandora can command high prices.
In recent research she did for a client who wanted to target Los Angeles listeners, Ms. McLaughlin found that buying spots on Pandora cost 20% more than buying regular over-the-airwaves radio spots in the city, one of the most expensive ad markets in the U.S.
Tuesday, December 01, 2009
Now, PPM and Nielsen’s “How U.S. adults use Radio and Other Forms of Audio” force a rethink of everything we thought we knew .. about rotations, reach and frequency, rates, recycling the best content and the need to be "great" in smaller, more powerful, frequent bites than ever.